C.P. Lee
Academy 2 (Main Debating Hall)
Audio File, 2016
Alberto Y Lost Trios Paranoias, The Fall, C.P. Lee, Music Force
The Squat
Audio File, 2016
Photos: Emma Gibbs, Bernie Wilcox, CP Lee
Interview: Abigail Ward

Dr. CP Lee talks about the incredible history of The Squat venue at Manchester University, which was a thriving 'art lab' brought about by a student occupation. Other related topics include: socialist music agency Music Force, CP's band Albertos Y Lost Trios Paranoias and Manchester punk.

This interview was conducted on 30th August 2016. I have selected the above date in reference to the subject matter.

Click link below to visit Manchester Academy Memories - our digital exhibition celebrating the history of live music at the University of Manchester Students' Union.

Featured in the following MDMArchive online exhibitions:
Manchester Academy Memories
Greasy Bear, C.P. Lee
Academy 2 (Main Debating Hall)
Audio File, 2016
Photo: Emma Gibbs
Interview: Abigail Ward

Dr CP Lee talks about playing the Main Debating Hall at Manchester University with Greasy Bear in 1971. Also mentioned are Dave Sykes - the Socials Secretary - and the birth of the Progressive Rock Society.

This interview was conducted on 30th August 2016. I have selected the above date in reference to the subject matter.

Featured in the following MDMArchive online exhibitions:
Manchester Academy Memories
C.P. Lee
Academy 2 (Main Debating Hall)
Audio File, 2016
Photo: Emma Gibbs
Interview: Abigail Ward

Dr CP Lee talks about watching Bonzo Dog Doo-Dah Band at the Main Debating Hall at Manchester University in 1968 - a band that had a huge influence on him as a performer.

This interview was conducted on 30th August 2016. I have selected the above date in reference to the subject matter.

Featured in the following MDMArchive online exhibitions:
Manchester Academy Memories
Artefact added : 2nd October 2016
2
Dave Haslam, Leo Stanley, ACR Soundsystem
Indigo, Fuel Cafe, The Old Bank, 437 Wilmslow Road, Solomons, Deco Records
Other, 2018
The images are from the M20 Festival in Withington, Manchester - a free music and arts celebration of the 40th anniversary of the founding of Factory Records (at 86 Palatine Road, Withington Ward) on Saturday 6 October 2018 (multiple venues). The event was presented by Withington Civic Society in association with Deco Records and MIMR. It was funded by Manchester City Council Neighbourhood Investment Fund and also Withington Civic Society, with additional contributions from the venues involved.

The principal organiser was Esther Ford of Deco Records in Withington. Andy Burnham, the Mayor of Greater Manchester opened the event, which included exhibitions (music photography by Charlotte Wellings, Factory designs by Trevor Johnson, a Factory inspired slipmat by James Dickinson, plus a micro-exhibition about Factory), a talk about popular music in Withington by CP Lee and a reading and discussion about fiction and non-fiction inspired by Factory hosted by Dave Haslam with guests David Gaffney, Louise Marr and Nicholas Royle; also a screening of 'Cowboy Dave', a film by director Colin O-Toole about his childhood encounter with Dave Rowbotham (The Durutti Column, The Mothmen) and a guided walk, 'Withington Factory Music History Tour' by Emma Fox. There was live music and DJs starting at Deco Records in the afternoon and continuing at Solomons, Fuel, The Victoria, Indigo and The Orion in the evening. There were many bands and DJs involved, including ACR Soundsystem, Transmission (the Sound of Joy Division) and DJ Leo B Stanley.

I can provide details of all the many bands - but the only ones I know by name that are in the photos are Leo B Stanley and ACR Soundsystem.

The full programme can be found on our website here:
m20festival.files...

A readable full resolution of the banner exhibition 'The Story of Factory Records and its Withington Associations' can be found on the Withington Civic Society website and you can view it here:
drive.google.com/...

The design work is by James Dickinson, a recent graphic design graduate of MMU. The photos are mine.

M20 Festival on Facebook
www.m20festival.o...
@FestivalM20 on Twitter
C.P. Lee
The Old Bank, 437 Wilmslow Road
Photograph, 2018
Musician, broadcaster and writer, CP Lee talking about popular music in Withington inside the Old Bank on Wilmslow Road at the M20 Festival, celebrating the 40th anniversary of the founding of Factory Records locally. More photos/further info can be found underneath my artefact showing a banner exhibition about Factory and its Withington associations.
C.P. Lee
Video, 2018
On Sunday 9 December 2018, CP Lee gave a short speech on the steps of the Bollocks to Brexit bus, which was visiting Manchester that weekend. He points out the huge benefits of the EU for touring musicians, and remembers pre-EU times when every item had to be checked at every border - strings, plectrums, everything. He also thanks the EU for preserving the peace.
C.P. Lee
Biography, 2019
"After a John Cooper Clarke gig at the Q Factory in Amsterdam on 26th October 2019 (L to R) Phil Jones, Mike Garry, CP Lee, JCC, Terry Lawless.CP and Terry came backstage after John and Mike Garry's sold-out show. They have both since passed away - so this picture is especially poignant -RIP" - Phil Jones
C.P. Lee, Mark Radcliffe
Document, 2020
Print out of text sent by radio broadcaster Mark Radcliffe text in response to CP Lee's passing. The text recalls the impact and influence CP Lee had on the music scene in Manchester. Radcliffe recounts several memorable appearances Dr Lee made on his radio programmes, including 'Cures for Insomnia'.The text reads:

I knew CP Lee for more than forty years having first encountered him when I started at Piccadilly Radio in 1979. Of course, I knew of him before that through Alberto Y Los Trios Paranoias who I witnessed at a memorable gig with Devo and The Smirks at the Free Trade Hall.

I think of that time in Manchester as something of a golden age, for me at least. I was twenty-one, had graduated and had a job at a radio station where my love affair with music was given free rein. I lived on The Beeches in West Didsbury and everybody I knew was in a band. It seemed a world of infinite possibilities and CP, along with Bruce and Jimmy and the rest of the Albertos, seemed (like Tony Wilson) to be the elder statesmen of that scene. They just filled you with the confidence that you should follow your own ideas and impulses, and that you had no need to go to London to do so.

CP was nothing if not a restless creative spirit. He was a witty, erudite and knowledgeable man on a range of subjects, not least the history of British comedy. I remember very fondly going to see him in his one-man show at The King’s Head Theatre in Islington, yes – we did go South sometimes, performing in a pith helmet as Lord Buckley. Buckley was a trailblazing stand-up from America in the forties and fifties whose persona was part British eccentric and part scat jazz improviser. You could almost describe CP the same way.

The last time he appeared on one of my radio shows was to talk about his book ‘Like The Night’ documenting his eye witness experience at the Free Trade Hall concert where Bob Dylan got called ‘Judas’. It was a fascinating, funny and deeply personal account which brought the event fully to life. In terms of radio though, my fondest memory is of him recording little comic monologues in his back kitchen in Fallowfield on a Uher tape recorder for my late night Piccadilly show ‘Cures For Insomnia’. I was so proud to have him on the programme.

The last time I can recall seeing him I was walking across Albert Square during the Manchester International Festival and out of the corner of my eye, I caught sight of a man in what I immediately noted as a very stylish and well sculpted Panama hat. Having admired the headgear my gaze dropped to the face underneath it and it was CP. I commended him on his titfer and we chatted about the festival and how the city we both loved had changed so much since we’d known each other and of course, in his case, for many years before that when he had been a leading light in the counter-culture from the sixties onwards.

I was deeply saddened and shocked to hear of his passing. I liked and respected him so much and he was one of the reasons that Manchester became so dear to me. It stood to reason any city with blokes as great as CP Lee in it had to be the worker bee’s knees didn’t it? Arrivederci old friend.

Mark Radcliffe 28/07/2020
C.P. Lee, Roger Eagle
Press, 2020
Screenshot of Caught by the River's Remembrance post titled "Caught by the Reaper: CP Lee". The post features a reprint of Dr CP Lee's 2009 tribute to Roger Eagle. Caught by the River first ran the writing in May 2009. They reposted it on 28 July 2020 as a "tribute" to his writing upon the announcement of Dr Lee's passing on 25 July 2020. It was accompanied by a photograph by Emma Gibbs of Lee. The full text from the article reads:

It was sad to hear the news that the smart, funny and lovely CP Lee died this week. Chris was a very important cultural protagonist and documenter of Manchester music and culture. He made a mark and he will be sorely missed. To discover some of the things Chris was involved in, and to see just how much he was loved, we recommend the tweets of his good friend Jon Savage. By way of tribute from us, Chris’s wonderful writing on his late friend Roger Eagle, first published on Caught by the River in May 2009, is reposted below.

I first met Roger in 1966 at around the time he was finishing DJ’ing at the Wheel. He lived in a flat opposite my girlfriend’s house and I used to watch him load and unload a transit van that proudly proclaimed on the side ‘The Milton James Soul Band’, Milton, a Black American singer, being Roger’s latest protégé – sadly he wasn’t a very good soul singer despite having everything else right and soon Milton and Roger parted company. By then of course it was 1967 and Roger was embracing the ‘alternative’ lifestyle. He noticed that he had young hippies across the road and eventually we were invited in for listening sessions. This was my first experience of the University of Roger Eagle. Basically, the syllabus consisted of being put in an armchair, fed with cannabis and then being subjected to an intense musical bombardment.

The music could consist of anything – anything that had passed the Roger Eagle test that is. He was moving on from his solid position that had led to leaving the Wheel – his motto (which was over the door of his Mancunian Wake) ‘Nothing past 63!’ was the cut off date for records to be played – he loathed Motown and what he considered the commercial drek coming out of urban America, but as his drug use now extended to embracing psychedelics (he gave me my first trip around then) so his musical tastes were expanding too and he was wrapping his head and ours around such acts as Jefferson Airplane, who he adored and Captain Beefheart and The Magic Band, who he would have died for. In fact, in 1968 we all trooped down to Manchester University and stood at the front of the stage to watch the Magic Band and Don Van Vliet first met Roger.

This meeting was to change the lives of both of them, impacting upon their destinies in a manner which had a knock on effect for so many other people too.

However, it was that year that Roger opened the psychedelic dungeon known as the Magic Village in Manchester’s Cromford Court. It was actually a first rate gig and Roger booked many of the top acts of the time, including his old friend John Mayall, the Third Ear Band, Jethro Tull, Pink Floyd, Ten Years After, Joe Cocker, act after act who are now legendary.

Time and circumstance led to Roger’s leaving the Village and setting off for pastures new which this time meant Liverpool. He’d been managing my band Greasy Bear in the late 60s and although we’d moved on from his tender, loving care, he still booked us to appear on the bill at the Liverpool Stadium, and old wrestling and boxing arena that reeked of blood, sweat and linament but strangely became a prime venue for people such as Sha Na Na, Quiver, Cat Stevens, Mott The Hoople – again another roster of early 70s Rock music.

By 1977 I was in a band called the Albertos and Roger was busy pioneering another venue in Liverpool – the mighty Eric’s Club. As well as still booking me Roger was turning Eric’s into a giant musical laboratory where the likes of Teardrop Explodes and the Mighty Wah were cutting their teeth while watching some of the finest Punk and New Wave acts appearing live on stage.

After Eric’s Roger didn’t give up but moved back to Manchester to run an old skating rink was called The International – here he intro­duced us Mancs to the wonders of World Music as well as the usual roster of first-rate acts from here and the States.

Roger finally moved to Anglesey and his eventual demise – which I’m sure were not linked.

While Roger is no longer here on the planet what remains of Roger is all the people he shoved through his university, all the souls he strapped in the armchair and gave a crash course in essential listening to. I’ve not met one person who wasn’t deeply influenced by Roger’s outlook on life and on music. He was utterly unique – warm hearted and forceful, he was too much of a gentleman to have survived for as long as he did in an industry that is slowly going to hell in a hand-cart.

Bill Drummond said that an apt memorial would be a giant sculpture of Roger’s huge mono speaker cabinet that travelled through the decades with him made out of stone and standing fifty foot high on top of the Pennines – Sealed inside would be all the records he considered great. I agree with Bill.

It was a pleasure, a privilege and an honour to have breathed the same air as that man.

CP Lee, May 2009

The post can be accessed through Caught by the River's website here
www.caughtbytheri...
C.P. Lee
Press, 2020
Image and Text from article by Manchester Evening News. Written by Vicki Scullard (TV and Features Writer) for Manchester Evening News on 29 July 2020, this piece highlights the contributions of Dr CP Lee to Manchester's cultural life. It includes quotes from: Andy Willis (Professor of Screen Studies, University of Salford and Curator at HOME) and Alison Surtees (MDMArchive). The article is entitled "The Manc music legend, writer and academic who gave so much to the city - RIP, CP Lee". The text reads:

Tributes have been paid to a Manchester music legend who has died aged 70. Chris Lee, known as CP Lee, was born in Didsbury in 1950 and as well as music, he excelled as a writer, broadcaster, performer and university lecturer. A student at The Manchester School of Art, CP’s passion for music was elevated in 1969 when he formed Greasy Bear along with his best friend Bruce Mitchell - also of The Durutti Column fame - as well as Ian Wilson, Steve Whalley and John Gibson. It would be more than 50 years later in 2016 that their debut album, Is Adrian There?, finally saw the light of day after being released by Vinyl Revival.

But CP was perhaps best known for heading up satirical rock outfit Alberto y Lost Trios Paranoias with Bruce - releasing three albums in the ‘70s. Their remarkable story is told in CP's own memoir, When We Were Thin, where he reveals how he produced one side of the first Factory Records release, ate muffins with Andy Warhol and became Elvis Costello for a day. This was one of many books that Chris would pen over the years - another, Shake, Rattle & Rain, is an adaption of his PhD thesis on popular music making in Manchester. A fanatic of all things Bob Dylan, Chris attended the infamous Free Trade Hall concert ‘Judas’ in 1966, of which he later wrote about in his book Like The Night (Revisited).

Anyone who has frequented the Kings Arms in Salford over the years will have likely run into Chris at some point - here he hosted a number of film, music and performance events at the venue. In more recent years he toured as CP ‘Ukule’ Lee in a bid to keep the Albertos legend alive by going on the road and performing his band’s hits.

Chris, who died suddenly on Saturday, is survived by his beloved wife Pam, 69, and stepsons Tom, 42, and Nick, 39. “He was so generous, and funny, vastly knowledgeable about music - both playing and listening - film, and everything Manchester,” said Tom, a professional violinist. “Chris was innovative and ahead of his time. He shone a light on Manchester’s countercultural music history, and his anarchic, left-wing politics brought the past to life. Our house was full of fun and while he could be crazy and hilarious, we learned a good deal from him and became slowly aware that over his lifetime our stepdad had become a legend - more than the sum of his many talents. All the above is mind-boggling but nothing more so than Chris leaving us in such an unthinkable and devastating way. But we’re working on making him immortal and our family so admire him - he was and is a legend.” His talents spanned further than music and writing - CP’s perfect comic timing saw him expertly reprise all of American comedian Lord Buckley’s performances, and delighted audiences with his reenactments.

A man of many guises, Chris somehow found time to become a hugely popular lecturer at University of Salford, where he passed on his encyclopedic knowledge about film. Andy Willis, a fellow professor and close friend, said: “I knew of Chris before I started at Salford and when I met him I remember thinking, is this the CP Lee? He was always a real presence in the room. When I had worked there for a couple of years we ended up sharing an office and became great friends. He had an incredible appetite for knowledge. We even wrote a book together about local actor Cliff Twemlow, which combined our interest in pop culture and the north west. Our work extended socially and we would often head to the King’s Arms and talk about our interests, along with tales of his life as a musician. He always had great stories to tell.”

Along the way, Chris managed to accumulate a string of “near misses”, of which Andy fondly remembers him revelling in. “He loved talking about when Albertos were supposed to be on Top Of The Pops and they were cancelled last minute because there had been a power cut, meaning their single was never given that push into the charts,” laughed Andy. “Or when his snuff-rock musical Sleak, which had done really well in the UK, was taken to New York City in 1980 - and it was cancelled after John Lennon was assassinated. Then there was the time he recorded a TV show that he hoped would be a hit, and it ended up being re-edited to be a children’s programme.” Andy continued: “It wasn’t just his talents that made him a good friend. I had some personally difficult moments during our time at Salford and he helped me through them. It’s the gregarious face that you see but in the quiet moments he was a really kind human being who I will never forget.”

In 2002, Chris became one of the founders of the groundbreaking MDMA (Manchester and District Music Archive) site - a digital music archive that celebrates Greater Manchester music and its social history. Alison Surtees, who worked with Chris to launch the archive and also alongside him at university, said: “He was brilliant. Such a lovely man. He was ahead of his time but he never got the recognition that he deserved. He was underground and had incredible passion not just for music but also comedy, film and anything related to Manchester.He was eclectic and prolific and became an accomplished writer and performer, as well as a pundit on various TV programmes. He did everything. I know a lot of people cite Tony Wilson as the recognisable face of Manchester, but you can’t discount Chris’ incredible contribution to the city.
C.P. Lee
Document, 2020
Statement written by Jon Savage in remembrance of Dr CP Lee upon the announcement of his passing in July 2020. Jon Savage writes:

My first proper encounter with C.P. Lee would have been around 25 years ago, when I went back to the Fallowfield house he shared with Pam. We had been talking about Dylan and he had something that he really wanted to show me: a VHS tape of Bob’s brilliant December 1965 Press Conference in San Francisco. This was pre DVD, pre internet, pre everything: all he had was a warping second generation copy and it was still completely riveting. We talked and talked, well into the night.

I’d bump into C.P. at various point over the next few years, but our next big meet was when Grant Gee and I spent half a day with him while we were shooting the Joy Division documentary in autumn 2006. We spent a while touring around the lost venues of Manchester - the PSV Club/ Factory, Rafters, the Electric Circus, the New Osborne, the Squat - with Chris declaming in front of them. Best of all, we conducted a long interview with him, the text of which is included below.

To my considerable mortification, we never used any of this material in the finished documentary. It just didn’t work. However when I was putting together This Searing Light I remembered our chat and was able to give it due prominence at the head of the book: a wonderfully erudite and passionate scene setting for the events of 1976 and beyond. C.P. loved his city, with all its miseries and splendours, and was able to communicate that love in inspired story-telling.

I knew Chris as C.P. or Ceeps. My last communication with him was only a month or so ago: I wanted to make sure that he had a copy of This Searing Light. He didn’t, and I sent him one. We had a good chat, with no thought that we’d never talk again. I was very shocked at his death: C.P. was a prankster, a huge Dylan fan, a scholar and a gentleman who wrote beautifully about his city. I just hope he got to hear and enjoy Rough and Rowdy Ways before he left us.

Jon Savage, 4 August 2020
Alberto Y Lost Trios Paranoias, C.P. Lee
Document, 2020
Statement written by Jimmy Hibbert in remembrance of Dr CP Lee upon the announcement of his passing in July 2020. Hibbert was a founding member of Alberto y Lost Trios Paranoias, playing bass and on vocals. He isa writer, actor and voice actor. He is also well known for his work with the animation studio Cosgrove Hill Films. The text in the statement reads:

C.P. Lee: An outstanding 20th century polymath.

A rival to Salman Rushdie in the world of advertising: “You’ll wonder where the yellow went when you brush your teeth with dynamite.”

The equal of Ewan McColl when researching the English folk tradition:
“It’s dark as a coal mine and deep as a mine
When your mining your life away down in the mine.
So fry your bacon and grill your sausages
Housewives of Britain you’re paying too much.”

The gritty realism of northern working class life did not pass him by: “Ey up lass. Put clogs on. There’s trouble oop at t’nuclear reactor.”

Marcel Marceau had an equal in C.P. Who, once they had witnessed it, could forget his mimed: “Angry rhino coming out of a thicket”?

Musician, writer, artist, lecturer, pundit; C.P. Lee wore many hats. Hardly surprising given that he worked for a while in the Stockport Hat Factory. And then he turned his attention to becoming one of the funniest, most original, most energetic and creative crackpots of his generation. I’m glad he dragged me along with him for part of his outrageous journey.

Jimmy Hibbert, 4 August 2020
C.P. Lee
Document, 2020
Mick Middle piece remembering CP Lee
C.P. Lee
Document, 2020
CP Lee obituary published in the Guardian.